2019 Christmas Singalong

Here are some pics from the singalong we had at the Music Room this past December. It was quite a milestone for me. We combined some members the Fun Band with some members of the Rapidan Pops, creating for the event the largest and most expert group of musicians I've ever led. As for the singers, I've led larger groups, but never so many experienced singers - even though the singers only had lyrics with no music - and all the hymn tunes were transposed down a couple or three steps - there was often four part harmony in the voices.

Here's a pic that shows all the strings. Clockwise from the right: Brian, Pam, Betsy, and Jenny on violin; Michael and Darlene on viola; Mary, Joe, Barbara, and Caroline on cello; and Hank on guitar. Back against the wall you can see our vocalists Maryvonne, Alegra, and Karla, and then Judy on ukulele, and Dale on guitar. 

Also in this pic you can see how we seated some of the singalongers right behind the strings. The gentleman right there in the bottom left hand corner is Al, without whom the Music Room wouldn't exist. Besides starting the Orange community chorus and band, he somehow got me to join the band, which is where I learned to play the horn from a standing start, which later led to playing in the Rapidan Orchestra, and the orchestra needing a rehearsal performance space had a lot to do with the Music Room coming into existence.

Here is a pic of the winds - Rebekah on flute, Jane on recorder, Heather on clarinet and Madelyn on bassoon.

Here's Don on drums.

In this pic you can see our friend Sara sitting to the right of Judy and Dale. Besides having been a member of the Orange Music Society and then starting the Culpeper Music Society, she was the one who first started the Shakespeare in the Ruins outdoor productions over in Barboursville. She had a great time and with both her and Al participating there was a wonderful feeling of solidarity with previous community performing arts projects.

This pic shows the overall shape of the room, which is much like a shoe box - and when people talk about the great music spaces in Europe, a lot of them apparently have a shoebox shape, so that must have something to do with good acoustics.

We did a Christmas singalong two years ago and here's a pic of that.

You can see the lights have been changed, that risers have been added in front of the stage - and that curtains have been added, which did a great job of damping the too bright sound. With the curtains, and a lot of people in the audience soaking up sound, most people think the sound is exceptionally good. Back when Rapidan first started rehearsing in the Music Room, conductor Benjamin said after just a couple of rehearsals we were playing better because we could hear each other better.

Concert Thoughts

The Rapidan Orchestra just completed its 5th season with two concerts (at St. Stephen’s in Culpeper and at the Music Room in Orange) and I want to jot down some thoughts before they get lost in the Christmas rush.

The program - Egmont overture, Carmen Suite 1 plus the Habañera from Suite 2, and Mozart #40 - was the most substantial we’ve ever done, and we played well. A number of musicians told me how much they’d enjoyed playing and the audiences were very responsive and appreciative.

The St. Stephen’s parish hall space is small and  T shaped, which makes the sound very bright and clear. We set up a little differently than in the past, and part of that was moving me from the far left of the stage to just to the right of the center of the stage. The difference for me was enormous - I’ve never heard the woodwinds so well and so well balanced. 

Several of the audience members there used the word “loud”, so I think in the future we need to dial back the volume. That space would be great for chamber music.

At the Music Room in Orange we had the largest audience ever - 140 people plus or minus. I heard later that one audience member was a young girl who conducted enthusiastically the entire time, and apparently everyone around her enjoyed it. There were other children scattered through the audience as well - some from the string program and others the siblings of one of our players. There was gentleman who snored off and on. There were three elderly people in the back no one knew, but who seemed to be very well versed in the particular music on the program, and to all appearances had a wonderful time. 

When I asked a family member who has very little experience with classical music what she liked most she said, without missing a beat, “the last one”, i.e. the Mozart. When I asked why, she said because it was so “animated”. That we played the Mozart well enough for his essential spirit to come through feels like real success.

In short, a wonderfully diverse audience enjoying this great music together in a relaxed way - exactly the kind of unstuffy experience I’d hoped the Music Room could offer.

At intermission, there was an eruption of conversation throughout the room, which made me realize how valuable the Music Room is as a community space over and above being just a music space. The music drew us together and provided the opportunity for everyone to enjoy each others company. That Karla has put so much effort into making the space such a pleasant one amplifies that experience. Benjamin had thought about not having an intermission and asked us what we thought. Since the oboe section, with the tacit support of the horn section, became vaguely mutinous at the thought of that much playing without rest, he went ahead with having it and I’m glad he did.

I was born in Orange County seventy years ago, so know it fairly well. I still have trouble believing we have a successful orchestra. One woman, Heather our lead clarinet, has done more than anyone else to make it happen. And because the orchestra needed a better venue, Karla had the idea of the Music Room and here we are. There’s no telling exactly where all this leads, but it feels like we’re on the right track.

Open Rehearsal Pics

Back in October  we had an open rehearsal of the Rapidan Orchestra and I asked my niece Carmon to take some pictures without using flash. These two show the general setup in the Music Room for Rapidan rehearsals.

Here are the brass and woodwinds (Stephen on cello is paying second bassoon parts when not playing trombone).

Here are some shots of the strings.

Here's a shot of Don on timpani.

Here are some photos of Benjamin.

Here's a shot with my cousin Ada - the single most supportive person of my musical endeavors over a life time, Ed - who's work with the Art Center down the street is an inspiration of the Music Room - and Lama Tashi - my spiritual friend of something like 25 years. In the background you can see the reception area of the Music Room.

Here's a pic of Lama Tashi running the sound board for the microphone we used so the audience could hear what Benjamin was saying to the orchestra. Tashi with his low voice chanting has been recorded numerous times for scientific, commercial and non-profit purposes, but he had never run a sound board himself. 

Here's a pic of more of the people who came to the open rehearsal. There weren't a lot, but they were all fascinated, had a great time, and encouraged us to keep having them.

Rapidan Rehearsal Pics

Here are some candid shots of a Thursday evening Rapidan rehearsal at the Music Room taken by Phil Audibert and his wife Susie. 

These first two give some context of the group as a whole.

Here are two of Benjamin giving a sense of his expressiveness and his humor.

Here's the brass section - Don B on the right, then John, then me.

And here's a nice closeup of John.

Here are the violins, in no particular order, starting with Brian.

Carol

Charles W

Jenny

Ray, who's on violin this semester, but is equally adept on viola and cello

Pam

Michael

Barbara

And here's the viola section starting with Kelly who was our only regular viola for quite some time

 

and Darlene, who joined us this year

The cello section is Roger (l) and Caroline (r)

and Joe B (l) and Stephen (r)

And on string bass, here's Joe B Jr.

With a second shot showing how they hold their bows

And in the woodwinds, Charles on oboe

Don D on clarinet

Don A on flute

Lynne on flute

Madelyn on bassoon

And here's Don W on the timpani

And  in this shot you can see him muting after striking the drum, something he has to do all the time